Name Of Jesus Sunday
Omega and Alpha. The end and the beginning. This is the end of Music Notes for 2011, and it features information for the first Sunday of the new year. Now that we are on the precipice of 2012, I cannot help but wonder whether we will all be here in a year's time. I know it is cheesy, but it's still a thought that sneaks into the back of my mind every once in a while. Anyway, on to the music...
This first week after Christmas at St. Paul's, we will be using the readings for Name of Jesus Sunday. In Luke's Gospel, we pick up right where we left off on Christmas Eve/Morning, and we hear how Jesus is named and circumcised. The music this week celebrates this act and pays homage to the glory of Jesus' name.
HYMNS AND SONGS
Let All Together Praise Our God (Opening Hymn: 9:00 AM)
Pastor Schneider was *quietly* disappointed that I did not include this hymn on either Christmas Eve or Morning. I appeased him by pointing out that there were several other strong Austro-German hymns, and by promising we would do it on this Sunday.
Nikolaus Herman was an organist, choirmaster, hymn writer, and poet, mostly active between the years of 1520 until his death in 1560. He was closely tied to the Reformation, and even acted as an adviser to Luther from time to time.
In reading the first stanza of Let All Together Praise Our God, it may seem inappropriate to use this hymn on any day other than Christmas Morning, but I beg to differ. Though the translation does say "Today God opens heav'n again and sends the only Son," I don't think the word "today" has to be taken literally. Looking at it another way, one could look upon it not necessarily in the eyes of Christmas, but that through the power of God, he opens the skies every day and sends his love down on to us.
The center of the hymn takes special care in emphasizing that though Jesus is a divine gift from God, he is still a baby, born in poverty to a lowly mother, and raised in the humblest of ways. In the closing stanzas, we hear the reason of why Jesus was sent to us. In exchange for our flesh and blood, he shows us the way to the shining realm of God.
In His Temple Now Behold Him (Hymn Of The Day: 9:00 AM)
One of the most loved and enjoyed Christmas hymns is "Angels From The Realm of Glory." While we are not singing that hymn this year, this hymn is set to the same REGENT SQUARE tune.
This is a hymn that looks back on the miracle that we celebrated on Christmas Eve. Stanza three touches on our message for this Sunday, where the baby Jesus is presented to us, so in turn he can bring us to salvation and present us to his Father. Like many hymns in our hymnal, the concluding stanza ties Father, Son, and Holy Spirit together with a Trinitarian blessing.
Lo, How A Rose E'er Blooming (Communion Hymn: 9:00 AM)
This beautiful German chorale is appropriate during Advent, at Christmas, and during the twelve days following. Due to the change in the style of hymn composition in the 19th century, German chorales were altered from their "rhythmic" versions, and transformed into their "isometric" versions that we know today (see the two versions of A Mighty Fortress in the ELW. The one we are used to singing is the "isometric" one.).
Lo, How A Rose E'er Blooming is one of the few chorales that has remained in its "rhythmic" version. This is evident by its mixed meter and syncopation throughout. The text is based on Isaiah 6, which tells us a root will come out of the stump of Jesse, creating a beautiful fruit. Stanza two makes direct reference to this prophesy. The first two stanzas are the only two that are original to the carol. In this ELW version, the closing two stanzas were composed later, but they provide a nice conclusion to the original stanzas. Stanza four, in particular, again describes the contrast between a tiny baby born of Mary, who is to grow into the Savior of the world.
Cold December Flies Away (Communion Hymn: 9:00 AM)
Continuing from the previous hymn, Cold December Flies Away once again uses a metaphor of a flower to describe Jesus. Jesus is the reddest flower on the blessed tree in love's own garden, which is full and strong in glory. The bud blooms, the world awakens, and the fragrance of the flower spreads around the earth over us all.
This text and tune is an old Catalonian carol, which is a region in eastern Spain. While it may appear deceptively difficult to sing, if taken at the correct tempo, it is a wonderfully rhythmic tune which fits beautifully with the text.
INSTRUMENTAL MUSIC
Two Settings of ES IST EIN ROS'- John Leavitt and Dennis Lovinfosse (Prelude: 9:00 AM)
These two settings of Lo, How A Rose contrast each other very nicely. The Leavitt setting has a pastorale-esque quality, with a swinging 12/8 meter. The tune is heard clearly in a 4' principal, singing through the middle of the accompaniment.
The Lovinfosse setting is extremely interesting. In 1974, Lovinfosse wrote a set of 12 chorale preludes, each written in a style that reflected newer compositional trends throughout the 20th century. This particular setting demonstrates two styles, minimalism and pointillism. By carefully weaving the tune in between rests, Lovinfosse creates a composition that is very reflective of these two styles.
REGENT SQUARE (Incorporating Handel's Messiah) (Postlude: 9:00 AM)
This is a setting of the tune used for our hymn of the day combined with the chorus "For Unto Us A Child Is Born" from the Messiah. The two tunes compliment each other very nicely. The steady, rhythmic nature of the hymn tune contrasts with the florid, melismatic writing of the Handel chorus, creating a well-rounded, interesting piece.
That is it for 2011! If you're coming to worship this weekend, remember there is NO 7:45 AM service.
Friday, December 30, 2011
Thursday, December 22, 2011
My oh my! What a busy time of year it is!
Hello everyone,
Usually on Thursday afternoons, those of you who find your way to this blog usually discover the latest week's entry is available to read. Unfortunately, this week, it seems that every time I considered writing a full blog for both Christmas Eve and Christmas Day services, I nearly collapsed into the fetal position. With practicing, meetings to attend, practicing, practicing, bulletins to proofread, rehearsing with soloists, practicing, planning the following Sunday, and oh yes, practicing, the thought of writing two super-sized blogs explaining the origins of the 423,594,509 Christmas carols we are singing was simply too daunting of a task. So I apologize for that.
However, I would like to give a little plug to our Christmas DAY service, which will be on Sunday morning at 10:00 AM. This will be a beautiful service rich in wonderful music, where we will explore and sing nearly the entirety of Martin Luther's glorious Christmas hymn, "From Heaven Above To Earth I Come," as our opening hymn.
Our Hymn of the Day will actually be five hymns in one, as we explore Christmas Carols from Around the World. We have carols from France, Sweden, China, Malawi, and Norway. Taken together, these five verses recount the Christmas story beginning at midnight in the manger, all the way through to the joy and celebration of all the world on Christmas morning. The offering piece will be similar, combining three global characters into one lovely organ fantasy.
While it may be tempting to stay at home and enjoy a morning of hot cocoa, pancakes, fudge, and the ferocious tearing open of boxes, I encourage you to join us at St. Paul's at 10:00 AM to experience what will surely be a beautiful morning of worship as we continue to welcome the baby Jesus into our world and our hearts.
Usually on Thursday afternoons, those of you who find your way to this blog usually discover the latest week's entry is available to read. Unfortunately, this week, it seems that every time I considered writing a full blog for both Christmas Eve and Christmas Day services, I nearly collapsed into the fetal position. With practicing, meetings to attend, practicing, practicing, bulletins to proofread, rehearsing with soloists, practicing, planning the following Sunday, and oh yes, practicing, the thought of writing two super-sized blogs explaining the origins of the 423,594,509 Christmas carols we are singing was simply too daunting of a task. So I apologize for that.
However, I would like to give a little plug to our Christmas DAY service, which will be on Sunday morning at 10:00 AM. This will be a beautiful service rich in wonderful music, where we will explore and sing nearly the entirety of Martin Luther's glorious Christmas hymn, "From Heaven Above To Earth I Come," as our opening hymn.
Our Hymn of the Day will actually be five hymns in one, as we explore Christmas Carols from Around the World. We have carols from France, Sweden, China, Malawi, and Norway. Taken together, these five verses recount the Christmas story beginning at midnight in the manger, all the way through to the joy and celebration of all the world on Christmas morning. The offering piece will be similar, combining three global characters into one lovely organ fantasy.
While it may be tempting to stay at home and enjoy a morning of hot cocoa, pancakes, fudge, and the ferocious tearing open of boxes, I encourage you to join us at St. Paul's at 10:00 AM to experience what will surely be a beautiful morning of worship as we continue to welcome the baby Jesus into our world and our hearts.
Thursday, December 15, 2011
Music Notes: December 18th, 2011
First of all, I would like to thank everyone who attended the Advent festival Wednesday evening. It meant so much to see a full room of people, and I hope everyone left fulfilled and moved by the experience.
Fourth Sunday of Advent
This week is the final Sunday of Advent before Christmas Eve. We are blessed to hear the wonderful story of the angel Gabriel being sent by God to the virgin Mary, announcing that she will conceive and give birth to a son, and name him Jesus. He will be called the son of the most high, and the Lord God will give him the throne of his ancestor David, where his kingdom will have no end.
This is one of the Gospel's main turning points. The birth of Jesus has been hinted at through prophesies throughout the Old Testament, but this is one of the first times an angel is sent directly from God to announce that Jesus is on his way, and will be brought into the world by a meek, lowly maiden.
HYMNS AND SONGS
Gospel Reading: Luke 1: 26-45- arr. John Ferguson (Gospel Reading: 7:45 AM, 9:00 AM, 11:15 AM)
What, you say? The Gospel reading is being presented musically this week? Why yes! My mentor and organ teacher, John Ferguson, created this setting of the prelude to the Magnificat a few years ago, and it brings the story of the angel Gabriel meeting Mary to life like few other things have. Set for narrator, trumpet, and organ, all three elements work with each other to create a cohesive whole. You'll notice how the organ and trumpet both emphasize the importance of the text, particularly in the portion where the child leaps in the womb of Elizabeth.
Dr. Ferguson also composed a setting of the actual Magnificat text for choir, organ, and trumpet, but in lieu of that, the reading will transition directly to a hymn...
Canticle of the Turning (Hymn of Praise: 7:45 AM, 9:00 AM, 11:15 AM)
This text by Rory Cooney is a direct paraphrase of the Magnificat. Otherwise known as Mary's Song, the Magnificat is the song sung by Mary after being told by Elizabeth that both she and the fruit of her womb have been blessed by God. It is one of the most widely used texts throughout music history. J.S. Bach, Antonio Vivaldi, Heinrich Schuetz, and countless others have created settings of this text, ranging in length from three minutes to over an hour.
The rhyme scheme of Cooney's setting is outstanding. I think the best way to describe it is AABCCB. For example, the first two lines, "My soul cries OUT with a joyful SHOUT, that the God of my heart is GREAT. And my spirit SINGS of the wondrous THINGS, that you bring to the ones who WAIT," show just how complex the rhyme scheme is and how brilliant of a setting we have.
Musically, it is set to a version of a traditional Irish folk tune. Here called STAR OF COUNTY DOWN, it is derived from the same tune as the more widely used tune KINGSFOLD (see ELW 251, coincidentally, also a setting of the Magnificat). Though there are several minute differences between the tunes, the main difference is the addition of a refrain in the hymn we sing on Sunday.
The Angel Gabriel From Heaven Came (Hymn of the Day: 7:45 AM, 9:00 AM)
Unfortunately, the hymnal contents dedicated to the angel Gabriel are far too limited, but luckily, one of the only hymns dedicated to the angel himself happens to be one of the finest moldings of text and tune in the ELW. While I wouldn't necessarily call this a paraphrase of Luke 1: 26-45, it follows a similar pattern and creates a beautiful narrative.
In stanza one, Gabriel is described vividly as having "wings as drifted snow" and "eyes as flame." Stanza one concludes with Gabriel introducing himself to Mary. Stanza two picks up right where one left off, concluding with the great proclamation that her son shall in fact be Emmanuel.
Stanza three switches the emphasis to Mary herself. Astounded by this news, she bows her head and accepts this responsibility, while also pledging her allegiance to God forever. The concluding stanza foreshadows Christmas Eve, the wonderful time when we will celebrate the coming of Mary's son. At the announcement of the birth, Christians throughout the world should always remember the mother Mary.
The tune accompanying this beautiful text is an old dance carol from the Basque region of southern France. Though traditionally very dance like in character, I believe that a more modest, reverent rendition is more appropriate for this text.
Savior Of The Nations Come (Communion Hymn: 7:45 AM, Closing Hymn: 9:00 AM)
This is a mystical, magical Advent text. Though widely known throughout many hymnals, the ELW version is the only one I am aware of that contains several stanzas by Martin Luther. The translation is slightly altered as well. Many of the standard ideas and representations of Jesus as both human and divine are present in these stanzas. Stanza two, for instance, tells us that Jesus was born not from flesh, but from the mystic breath of God. Stanza three echoes the sentiment, describing Jesus as "very God and Mary's son..." Stanza five again foreshadows Christmas, looking forward to the manger, shining bright with the newborn light of Jesus. The concluding stanza is a trinitarian doxology, binding God, Jesus, and Holy Spirit in one.
INSTRUMENTAL MUSIC
Nun komm, der Heiden Heiland (Prelude and Postlude- 7:45 AM, 9:00 AM)
The prelude and postlude this week are two settings of the chorale from Savior of the Nations Come.
The prelude, by William Albright, may seem quite shocking at first. Chord clusters accentuate behind a statement of the chorale in a pedal reed. Where this piece shines is in its structure and how that relates to the Advent season. In between each line of the chorale there is a period where the manuals sound by themselves. The length of these interludes decreases as the piece goes on, which represents the Advent season progressing as we get closer and closer to Christmas Eve. Also important to note is the ending. The final line of the choral is played, but then stops on the penultimate note of the tune, creating a sense of incompleteness. This creates an especially dramatic Advent picture.
The postlude, composed by Hugo Distler, is one portion of a larger group of chorales. The tune is partially presented in the left hand of the organ, while the right hand is playing florid counterpoint, supported by the bass notes playing harmony.
Fourth Sunday of Advent
This week is the final Sunday of Advent before Christmas Eve. We are blessed to hear the wonderful story of the angel Gabriel being sent by God to the virgin Mary, announcing that she will conceive and give birth to a son, and name him Jesus. He will be called the son of the most high, and the Lord God will give him the throne of his ancestor David, where his kingdom will have no end.
This is one of the Gospel's main turning points. The birth of Jesus has been hinted at through prophesies throughout the Old Testament, but this is one of the first times an angel is sent directly from God to announce that Jesus is on his way, and will be brought into the world by a meek, lowly maiden.
HYMNS AND SONGS
Gospel Reading: Luke 1: 26-45- arr. John Ferguson (Gospel Reading: 7:45 AM, 9:00 AM, 11:15 AM)
What, you say? The Gospel reading is being presented musically this week? Why yes! My mentor and organ teacher, John Ferguson, created this setting of the prelude to the Magnificat a few years ago, and it brings the story of the angel Gabriel meeting Mary to life like few other things have. Set for narrator, trumpet, and organ, all three elements work with each other to create a cohesive whole. You'll notice how the organ and trumpet both emphasize the importance of the text, particularly in the portion where the child leaps in the womb of Elizabeth.
Dr. Ferguson also composed a setting of the actual Magnificat text for choir, organ, and trumpet, but in lieu of that, the reading will transition directly to a hymn...
Canticle of the Turning (Hymn of Praise: 7:45 AM, 9:00 AM, 11:15 AM)
This text by Rory Cooney is a direct paraphrase of the Magnificat. Otherwise known as Mary's Song, the Magnificat is the song sung by Mary after being told by Elizabeth that both she and the fruit of her womb have been blessed by God. It is one of the most widely used texts throughout music history. J.S. Bach, Antonio Vivaldi, Heinrich Schuetz, and countless others have created settings of this text, ranging in length from three minutes to over an hour.
The rhyme scheme of Cooney's setting is outstanding. I think the best way to describe it is AABCCB. For example, the first two lines, "My soul cries OUT with a joyful SHOUT, that the God of my heart is GREAT. And my spirit SINGS of the wondrous THINGS, that you bring to the ones who WAIT," show just how complex the rhyme scheme is and how brilliant of a setting we have.
Musically, it is set to a version of a traditional Irish folk tune. Here called STAR OF COUNTY DOWN, it is derived from the same tune as the more widely used tune KINGSFOLD (see ELW 251, coincidentally, also a setting of the Magnificat). Though there are several minute differences between the tunes, the main difference is the addition of a refrain in the hymn we sing on Sunday.
The Angel Gabriel From Heaven Came (Hymn of the Day: 7:45 AM, 9:00 AM)
Unfortunately, the hymnal contents dedicated to the angel Gabriel are far too limited, but luckily, one of the only hymns dedicated to the angel himself happens to be one of the finest moldings of text and tune in the ELW. While I wouldn't necessarily call this a paraphrase of Luke 1: 26-45, it follows a similar pattern and creates a beautiful narrative.
In stanza one, Gabriel is described vividly as having "wings as drifted snow" and "eyes as flame." Stanza one concludes with Gabriel introducing himself to Mary. Stanza two picks up right where one left off, concluding with the great proclamation that her son shall in fact be Emmanuel.
Stanza three switches the emphasis to Mary herself. Astounded by this news, she bows her head and accepts this responsibility, while also pledging her allegiance to God forever. The concluding stanza foreshadows Christmas Eve, the wonderful time when we will celebrate the coming of Mary's son. At the announcement of the birth, Christians throughout the world should always remember the mother Mary.
The tune accompanying this beautiful text is an old dance carol from the Basque region of southern France. Though traditionally very dance like in character, I believe that a more modest, reverent rendition is more appropriate for this text.
Savior Of The Nations Come (Communion Hymn: 7:45 AM, Closing Hymn: 9:00 AM)
This is a mystical, magical Advent text. Though widely known throughout many hymnals, the ELW version is the only one I am aware of that contains several stanzas by Martin Luther. The translation is slightly altered as well. Many of the standard ideas and representations of Jesus as both human and divine are present in these stanzas. Stanza two, for instance, tells us that Jesus was born not from flesh, but from the mystic breath of God. Stanza three echoes the sentiment, describing Jesus as "very God and Mary's son..." Stanza five again foreshadows Christmas, looking forward to the manger, shining bright with the newborn light of Jesus. The concluding stanza is a trinitarian doxology, binding God, Jesus, and Holy Spirit in one.
INSTRUMENTAL MUSIC
Nun komm, der Heiden Heiland (Prelude and Postlude- 7:45 AM, 9:00 AM)
The prelude and postlude this week are two settings of the chorale from Savior of the Nations Come.
The prelude, by William Albright, may seem quite shocking at first. Chord clusters accentuate behind a statement of the chorale in a pedal reed. Where this piece shines is in its structure and how that relates to the Advent season. In between each line of the chorale there is a period where the manuals sound by themselves. The length of these interludes decreases as the piece goes on, which represents the Advent season progressing as we get closer and closer to Christmas Eve. Also important to note is the ending. The final line of the choral is played, but then stops on the penultimate note of the tune, creating a sense of incompleteness. This creates an especially dramatic Advent picture.
The postlude, composed by Hugo Distler, is one portion of a larger group of chorales. The tune is partially presented in the left hand of the organ, while the right hand is playing florid counterpoint, supported by the bass notes playing harmony.
Thursday, December 8, 2011
Music Notes: December 11th, 2011
3rd Sunday of Advent
Another week of Advent, and we are one more week closer to the return of our Savior to the world. In our Gospel reading this week, John the Baptist is introduced to us. His motives of administering baptisms are questioned since he is neither the coming Christ nor a prophet. He references the coming of Christ by saying, "I baptize with water; but among you stands one whom you do not know, even he who comes after me, the thong of whose sandal I am not worthy to untie." (John 1: 25-27)
HYMNS AND SONGS
All Earth Is Hopeful (Opening hymn: 7:45 AM, 9:00 AM)
This lovely Latin-American tune is actually one of my personal favorites in the hymnal. The translation by Madeleine Marshall (not to be confused with the former Juilliard professional who wrote the "Singers Manual of English Diction), is very faithful to the original text by Alberto Taule. Taule, who passed away in 2007, was a Spanish-born theologan, pastor, and composer, who wrote many works for organ and choir, as well as many hymns. Toda la Tierra (translated as "All the earth") is easily his most well known among English-speaking worshipers, and for good reason.
The four verses contain many biblical references. Stanza two tells us "a virgin mother will bear Emmanuel" (Isaiah 7:14), and a few words later, we hear the meaning of Emmanuel, "God with us," and tells us that he will restore hope and courage to the earth. In stanza three, we hear from Isaiah again, specifically Isaiah 40:4, where the mountains and valleys will be made low. The final stanza mentions that though Jesus' life began 2000+ years ago as a baby in a crib, we now can see him in our world, our neighbors, and our friends, and that he is always present and always sets us free.
People Look East (Hymn of the Day: 7:45 AM, 9:00 AM, Praise Song: 11:15 AM)
Eleanor Farjeon's lovely poem of anticipation is set here to a Renaissance French carol. Each stanza is wonderfully structured within itself. In stanza one, we prepare the way for Jesus by preparing our houses and setting the tables. Who are we doing this for? "Love, the guest..." the closing line in stanza one.
The second stanza begins with a bare earth with one seed planted. This seed is nourished by our strength, and over time, the flower grows and blooms. This flower? "Love, the rose..."
Stanza three is all about stars, one star in particular. As the night continues to grow darker, one star emerges to shine ever brighter, with all the power of the sun and moon put together. What could illumine with such brightness? "Love, the star..."
In the closing stanza, the imagery vanishes and we hear directly about the coming Christ. Once again, Isaiah 40 is referenced (Set every peak and valley humming), and we await, "Love, the Lord."
Drawn To The Light (Communion hymn: 9:00 AM, Opening song- 11:15 AM)
One of the most important themes of this Sunday is the idea of the Light of Christ enveloping the world. This hymn by John Ylvisaker is all about us being drawn into the light of Christ. The light is what differentiates the good from the bad, the heaven from the hell, and the morning from the night.
Christ, Be Our Light (Communion hymn: 9:00 AM, 11:15 AM)
This modern hymn by Bernadette Farrell is one of the most exquisite gifts that the ELW has given us. This hymn was largely unknown before the publication of the ELW, despite being written in 1993. Much like Ylvisaker's hymn, its refrain calls upon the light of Christ to shine through the darkness, and into our church where we all are gathered.
The stanzas are a whole different animal, discussing some of the current problems and issues in the world, and how the light of Christ continually helps with them. When each verse gets to its second half, the music changes as well. The bleak E minor that is underneath all of the gloom in the world is replaced by a much more hopeful G major for the second half of each stanza and the refrain.
INSTRUMENTAL MUSIC
Piano Sonata, op. 110, I. Moderato cantabile molto espressivo- Ludwig van Beethoven (Prelude: 7:45 AM, 9:00 AM)
Ludwig van Beethoven is arguably one of the greatest composers to ever live, and his 32 piano sonatas, even more than his 9 symphonies, are beautifully representative of the way his style evolved throughout his career.
The Piano Sonata, op. 110, is the middle of the three "late" sonatas of Beethoven, op. 109, 110, and 111. These three pieces are so revolutionary and forward-thinking in nature... they are just unbelievably ahead of their time. The emotions that travel through each work are drastically contrasting... one minute it seems like Beethoven is borderline suicidal, and the next, he doesn't seem like he could be more at peace with himself, despite all of his frustrations.
I believe the opening movement of op. 110 is very indicative of the spirit of Advent. The movement never really arrives anywhere. Though its sonata form is rather straightforward, but it certainly isn't self evident. Upon closer examination, however, the movement is surprisingly simple. Still, the sense of anticipation and longing is evident.
Dance on BECANSON- Wayne Wold (Postlude- 7:45 AM, 9:00 AM)
This organ piece by prolific composer Wayne Wold takes the tune from People Look East, and sets it as a dance between two voices on the organ. The tune travels through several different key areas and frequently switches voices as it nears the end.
Another week of Advent, and we are one more week closer to the return of our Savior to the world. In our Gospel reading this week, John the Baptist is introduced to us. His motives of administering baptisms are questioned since he is neither the coming Christ nor a prophet. He references the coming of Christ by saying, "I baptize with water; but among you stands one whom you do not know, even he who comes after me, the thong of whose sandal I am not worthy to untie." (John 1: 25-27)
HYMNS AND SONGS
All Earth Is Hopeful (Opening hymn: 7:45 AM, 9:00 AM)
This lovely Latin-American tune is actually one of my personal favorites in the hymnal. The translation by Madeleine Marshall (not to be confused with the former Juilliard professional who wrote the "Singers Manual of English Diction), is very faithful to the original text by Alberto Taule. Taule, who passed away in 2007, was a Spanish-born theologan, pastor, and composer, who wrote many works for organ and choir, as well as many hymns. Toda la Tierra (translated as "All the earth") is easily his most well known among English-speaking worshipers, and for good reason.
The four verses contain many biblical references. Stanza two tells us "a virgin mother will bear Emmanuel" (Isaiah 7:14), and a few words later, we hear the meaning of Emmanuel, "God with us," and tells us that he will restore hope and courage to the earth. In stanza three, we hear from Isaiah again, specifically Isaiah 40:4, where the mountains and valleys will be made low. The final stanza mentions that though Jesus' life began 2000+ years ago as a baby in a crib, we now can see him in our world, our neighbors, and our friends, and that he is always present and always sets us free.
People Look East (Hymn of the Day: 7:45 AM, 9:00 AM, Praise Song: 11:15 AM)
Eleanor Farjeon's lovely poem of anticipation is set here to a Renaissance French carol. Each stanza is wonderfully structured within itself. In stanza one, we prepare the way for Jesus by preparing our houses and setting the tables. Who are we doing this for? "Love, the guest..." the closing line in stanza one.
The second stanza begins with a bare earth with one seed planted. This seed is nourished by our strength, and over time, the flower grows and blooms. This flower? "Love, the rose..."
Stanza three is all about stars, one star in particular. As the night continues to grow darker, one star emerges to shine ever brighter, with all the power of the sun and moon put together. What could illumine with such brightness? "Love, the star..."
In the closing stanza, the imagery vanishes and we hear directly about the coming Christ. Once again, Isaiah 40 is referenced (Set every peak and valley humming), and we await, "Love, the Lord."
Drawn To The Light (Communion hymn: 9:00 AM, Opening song- 11:15 AM)
One of the most important themes of this Sunday is the idea of the Light of Christ enveloping the world. This hymn by John Ylvisaker is all about us being drawn into the light of Christ. The light is what differentiates the good from the bad, the heaven from the hell, and the morning from the night.
Christ, Be Our Light (Communion hymn: 9:00 AM, 11:15 AM)
This modern hymn by Bernadette Farrell is one of the most exquisite gifts that the ELW has given us. This hymn was largely unknown before the publication of the ELW, despite being written in 1993. Much like Ylvisaker's hymn, its refrain calls upon the light of Christ to shine through the darkness, and into our church where we all are gathered.
The stanzas are a whole different animal, discussing some of the current problems and issues in the world, and how the light of Christ continually helps with them. When each verse gets to its second half, the music changes as well. The bleak E minor that is underneath all of the gloom in the world is replaced by a much more hopeful G major for the second half of each stanza and the refrain.
INSTRUMENTAL MUSIC
Piano Sonata, op. 110, I. Moderato cantabile molto espressivo- Ludwig van Beethoven (Prelude: 7:45 AM, 9:00 AM)
Ludwig van Beethoven is arguably one of the greatest composers to ever live, and his 32 piano sonatas, even more than his 9 symphonies, are beautifully representative of the way his style evolved throughout his career.
The Piano Sonata, op. 110, is the middle of the three "late" sonatas of Beethoven, op. 109, 110, and 111. These three pieces are so revolutionary and forward-thinking in nature... they are just unbelievably ahead of their time. The emotions that travel through each work are drastically contrasting... one minute it seems like Beethoven is borderline suicidal, and the next, he doesn't seem like he could be more at peace with himself, despite all of his frustrations.
I believe the opening movement of op. 110 is very indicative of the spirit of Advent. The movement never really arrives anywhere. Though its sonata form is rather straightforward, but it certainly isn't self evident. Upon closer examination, however, the movement is surprisingly simple. Still, the sense of anticipation and longing is evident.
Dance on BECANSON- Wayne Wold (Postlude- 7:45 AM, 9:00 AM)
This organ piece by prolific composer Wayne Wold takes the tune from People Look East, and sets it as a dance between two voices on the organ. The tune travels through several different key areas and frequently switches voices as it nears the end.
Saturday, December 3, 2011
Music Notes: December 4th, 2011
I would first like to apologize for my late entry this week. On Thursday and Friday, Stephanie and I were in Minnesota, where we attended the St. Olaf Christmas Festival, spent some time at Mall of America, and went to visit my mom.
If you are not going to Christmas With Wartburg on Sunday, I would highly recommend you attend a simulcast of the Christmas Festival. Unfortunately, the closest venue is in Iowa City, but I think it would be worth the drive. More information can be found here. http://www.stolaf.edu/simulcast/#
The journey through Advent continues this Sunday at St. Paul's. Through both Isaiah and the Gospel of Mark, we hear two very important messages of Advent. Isaiah tells us that every valley should be exalted, every mountain made low, the rough places plain, and the crooked straight, and both prophets tell us to prepare the way of the Lord, for he is coming soon.
HYMNS AND SONGS
Comfort, Comfort Now My People (Opening Hymn- 7:45 AM, 9:00 AM, Scripture Song- 11:15 AM)
These three stanzas are a direct paraphrase of the first verses of Isaiah 40. We are singing this text at both of our services this week, but using two different tunes. The 7:45 AM/9:00 AM tune is a Renaissance dance from the mid-16th century known as FREU DICH SEHR. Like most dance-like melodies of the period, it is not set in a standard meter, but rather it can be thought of in groups of two and three quarter notes. For example, the first line is 3+3+2+2+2 done twice. Essentially it is twelve total beats, divided down the middle into two groups of three and three groups of two, respectively. For conducting purposes, it can best be divided into a 6/8 bar plus a 3/4 bar. Despite this all sounding very technical and possibly confusing, the tune itself is very singable. As you sing, let it be light, energetic, and rhythmic.
Prepare the Royal Highway (Hymn of the Day- 7:45 AM, 9:00 AM, Offering Song- 11:15 AM)
This is yet another hymn that we will be using at both services, but this time, it will be the same tune, a 17th century Swedish folk tune. Like the first hymn, this is a paraphrase direct from our scriptures of the day, both Isaiah and the Gospel of Mark. The scripture itself is made reference to at the conclusion of stanza one, "...foretold in sacred story."
While this hymn is traditionally heard at Advent, it is also appropriate for Palm Sunday. The "arrival of Christ" text is generalized enough that it is appropriate for both occasions, particularly with stanza two, "Palm branches strew before him! Spread garments! Shout and sing!"
On Jordan's Bank the Baptist's Cry (Communion Hymn- 7:45 AM, Closing Hymn- 9:00 AM)
I feel that one of the more overlooked figures in the Advent story is John the Baptist. After all, he was the one that announced that Jesus was on his way, and he also recognized the young baby when he was brought to the temple by Mary and Jesus.
This hymn is all about John the Baptist's announcement that the Lord is coming. Stanza two, once again references the prophet Isaiah, "Make straight the way for God within." Stanza three mentions what the world would be like if Christ would not come, and stanza four touches on a very important theme of Advent... the light of Christ enveloping the world. The concluding stanza delivers a trinitarian doxology.
INSTRUMENTAL MUSIC
FREU DICH SEHR- Gerald Near (Prelude- 7:45 AM, 9:00 AM)
Gerald Near's setting of this Renaissance dance maintains the dance-like quality of the tune, but stretches the chorale itself out a little further. Statements of each phrase are separated by sixteenth note imitations, usually starting in the right hand.
Improvisation on Prepare the Royal Highway (Postlude- 7:45 AM, 9:00 AM)
While I was planning on preparing Paul Manz's setting of this chorale, I decided just today (Saturday) that our organ couldn't quite handle the setting, so instead I will improvise on this great Swedish tune. Due to the structure, harmonies, and rhythm of the tune, it lends itself very nicely to improvisation.
**************
Once again, I apologize for both the lateness and shortness of this article. Stay tuned next week for a special edition of Music Notes, featuring information on the choral-led Advent Festival, this year titled "Shine In Our Hearts, Lord Jesus."
If you are not going to Christmas With Wartburg on Sunday, I would highly recommend you attend a simulcast of the Christmas Festival. Unfortunately, the closest venue is in Iowa City, but I think it would be worth the drive. More information can be found here. http://www.stolaf.edu/simulcast/#
The journey through Advent continues this Sunday at St. Paul's. Through both Isaiah and the Gospel of Mark, we hear two very important messages of Advent. Isaiah tells us that every valley should be exalted, every mountain made low, the rough places plain, and the crooked straight, and both prophets tell us to prepare the way of the Lord, for he is coming soon.
HYMNS AND SONGS
Comfort, Comfort Now My People (Opening Hymn- 7:45 AM, 9:00 AM, Scripture Song- 11:15 AM)
These three stanzas are a direct paraphrase of the first verses of Isaiah 40. We are singing this text at both of our services this week, but using two different tunes. The 7:45 AM/9:00 AM tune is a Renaissance dance from the mid-16th century known as FREU DICH SEHR. Like most dance-like melodies of the period, it is not set in a standard meter, but rather it can be thought of in groups of two and three quarter notes. For example, the first line is 3+3+2+2+2 done twice. Essentially it is twelve total beats, divided down the middle into two groups of three and three groups of two, respectively. For conducting purposes, it can best be divided into a 6/8 bar plus a 3/4 bar. Despite this all sounding very technical and possibly confusing, the tune itself is very singable. As you sing, let it be light, energetic, and rhythmic.
Prepare the Royal Highway (Hymn of the Day- 7:45 AM, 9:00 AM, Offering Song- 11:15 AM)
This is yet another hymn that we will be using at both services, but this time, it will be the same tune, a 17th century Swedish folk tune. Like the first hymn, this is a paraphrase direct from our scriptures of the day, both Isaiah and the Gospel of Mark. The scripture itself is made reference to at the conclusion of stanza one, "...foretold in sacred story."
While this hymn is traditionally heard at Advent, it is also appropriate for Palm Sunday. The "arrival of Christ" text is generalized enough that it is appropriate for both occasions, particularly with stanza two, "Palm branches strew before him! Spread garments! Shout and sing!"
On Jordan's Bank the Baptist's Cry (Communion Hymn- 7:45 AM, Closing Hymn- 9:00 AM)
I feel that one of the more overlooked figures in the Advent story is John the Baptist. After all, he was the one that announced that Jesus was on his way, and he also recognized the young baby when he was brought to the temple by Mary and Jesus.
This hymn is all about John the Baptist's announcement that the Lord is coming. Stanza two, once again references the prophet Isaiah, "Make straight the way for God within." Stanza three mentions what the world would be like if Christ would not come, and stanza four touches on a very important theme of Advent... the light of Christ enveloping the world. The concluding stanza delivers a trinitarian doxology.
INSTRUMENTAL MUSIC
FREU DICH SEHR- Gerald Near (Prelude- 7:45 AM, 9:00 AM)
Gerald Near's setting of this Renaissance dance maintains the dance-like quality of the tune, but stretches the chorale itself out a little further. Statements of each phrase are separated by sixteenth note imitations, usually starting in the right hand.
Improvisation on Prepare the Royal Highway (Postlude- 7:45 AM, 9:00 AM)
While I was planning on preparing Paul Manz's setting of this chorale, I decided just today (Saturday) that our organ couldn't quite handle the setting, so instead I will improvise on this great Swedish tune. Due to the structure, harmonies, and rhythm of the tune, it lends itself very nicely to improvisation.
**************
Once again, I apologize for both the lateness and shortness of this article. Stay tuned next week for a special edition of Music Notes, featuring information on the choral-led Advent Festival, this year titled "Shine In Our Hearts, Lord Jesus."
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